Showing posts with label Karan Johar. Show all posts
Showing posts with label Karan Johar. Show all posts

Thursday, May 30, 2019

Books of March - Book Reviews

After reading 3 non-fiction books in January and February (reviews here and here), the month of March was all about fiction and people who create fiction. March was a really hectic month at office and I was busy with A-Z daily blogging challenge in April. Finally, I found time today to share my views on the books I read in March. So here we go!


Contagion by Robin Cook had been lying on my book-shelf, unread, for the longest time ever. I fail to understand that why I never read it. When I picked it up in March, earlier this year, and opened it, I was gobsmacked. There was a small note written inside it that read, "CONGRATS! For being the best student of XII". Then it dawned upon me that I have had this back with me since 1999. I had got it as a prize at my last annual function in school. For two decades, this book has traveled with me to different cities. If this book had a voice, it would have narrated a story of its neglect that lasted 20 years. 

Naturally, my expectations from the book sky-rocketed. Also Cook is well known for his medical thrillers. This one is about a medical examiner, who is investigating the origin of several deadly viruses and infections, that have surfaced in quick succession. These infections have led to deaths of many people associated with a particular hospital. His own life comes under threat because of this investigation.

The book is a decent thriller and if you get comfortable with the medical jargon fast, it is quite a page turner. The set-up is great and piques the reader's curiosity. The build up of key characters is excellent and you really want the lead protagonist to succeed. But the antagonists turn out to be too stupid in the end. They are not as menacing as the build up makes you believe. Thus as a reader, I found the book underwhelming. 


Pyjamas are Forgiving by Twinkle Khanna, is her worst book ever. And she has written only 3 books so far. There is nothing new in the basic story line. It is as old as hills. The novel is about a middle-aged woman, meeting her ex-husband, at a spa retreat in Kerala. This simple tale seems to go nowhere after that meeting. As a short story, this might have worked. But as a 200 page novel, it is simply not engaging enough. 

The author checks all the boxes needed to make it sound like a new age and inclusive book. There is a token gay couple at the retreat. Their characters are not fleshed out properly. I didn't understand why their presence was important to the story. The author describes the ashram, where only rich people go, in detail. These descriptions sound superficial as they don't add anything to the mood of the novel. There is an incident of sexual assault thrown in. The characters involved in it are nonchalant about it and are again not important for the core story to move forward. And the author uses lot of big words, when they were not needed. Yes, there is trademark wit and humor that Khanna sees in mundane, but overall it is not a compelling work. 


An Unsuitable Boy by Karan Johar with Poonam Saxena is Johar's autobiography that is written a decade too soon. While reading it, I felt, that as a film director and as a story teller (the aspects I strongly associate with him) his body of work is very limited. Clearly, I was expecting him to talk more about his profession in this book. I expected him to give the readers an insight into his craft and his inspiration. Thus, I liked the chapters on Dilwale Dulhaniya Le Jayenge (a 1995 film in which Johar was one of the assistant directors, part-time costume designer and an actor) and Kuch Kuch Hota Hai (a 1998 film which was Johar's directorial debut).  In these chapters, he gives us a sneak peek into his creative mind and writing process. 

The book doesn't feel like an autobiography. It feels more like an extended, but written version, of his TV chat show, Koffee with Karan. This is because the entire book sounds like a free-wheeling interview without a structure of a biopic. In the chapter where he talks about his anxieties and depression or the one in which he talks about soul-less Bollywood of today, I connected with him. I wish he had waited few more years to write this autobiography. And I wish he directs more often.

In April I read two books, one of which was a classic. Reviews will be up soon on the blog. Keep watching this space. 

Thursday, April 11, 2019

J : Johar's Cliches - Hindi Films / Bollywood #AtoZChallenge 2019

Karan Johar is this monstrous phenomenon in Bollywood / Hindi films. He heads one of the most successful production houses, Dharma Productions. He has had his hands in almost all the big, super hit films in last few years. He dons several hats. He is a producer, director, screenwriter, costume designer, chat show host, reality show judge, part-time actor and he also has a radio show. He has this knack of being successful at everything he does. Success defined as minting money here or attracting audiences in millions. In fact he was also the presenter / distributor of Hindi version of the most successful Indian film franchise ever - Baahubali. 

But this post is about the director Karan Johar. He is a school of film-making in himself. As a director, he has directed 6 full length feature films and two short stories as part of two anthology films. His films are largely entertaining, appeal to masses, and are made in typical Bollywood musical style. As far as his direction is concerned, he doesn't necessarily break new grounds. Though I have always found depth in his screen writing. He has brought to Hindi Cinema, a certain sense of visual flair and aesthetic which is not very real, but it has a definite Johar stamp on it. This has also led to certain cliches and tropes in his film-making style which I am going to write about. 

His imagination of educational institutes in India and the students studying there is one cliche he should get real about. In his version, colleges are designed like Disneyland, students wear branded clothes & hot pants, travel in luxury cars and play sports rather than studying. Even the professors take classes on cool subjects. The ragging that happens in his colleges is also so cute! In fact the people considered poor in his films are those who can't travel in luxury cars but still can afford a good bike. In Karan Johar's world poor people have decent jobs and pucca houses but can't afford to stay in a mansion. Even developed countries define their poor better. 


This picture is from his film Student of the Year. Look at what the students are wearing here. Let us now see how the real world deals with it. Here is a news item about one of the most progressive colleges, St. Xaviers, in Mumbai. They have banned sleeveless tops, shorts and ripped jeans on the campus.

In the following video from the Student of the Year, a student is not allowed to park his bike as it is reserved for another student's car. Which college has reserved parking for cars in India for students? Also as per this article, the bike Siddharth Malhotra is riding in this film is among the top preferred bikes of college students. 



Now here are two scenes from his debut film as director, Kuch Kuch Hota Hai. In the first scene the hero is ragging one of the leading ladies. In Karan Johar's world ragging is harmless fun. In the second scene, a professor discusses love. What fun subject! Don't forget to note the way students are dressed in these scenes or the way they are behaving in general. Also the classrooms and colleges here are far more colorful than the kindergarten school my kid goes to. 






By the way here you can read about the real world ragging and its influence on students. 

Just like his version of colleges, Johar's version of love is also pretty colorful. His love stories are set mostly in either a modern milieu or a fairy tale milieu, where there are no real conflicts. Over the years, we have been conditioned to believe that a love story becomes an epic only if the conflict is strong and real. But Karan Johar believes in making his love stories epic by the following two techniques:

1. Shoot a love ballad lavishly in front of great pyramids and make us believe in the epic nature of the love story. By the way this beautiful song from his film Kabhi Khushi Kabhie Gham, is a dream sequence, another clever cliche of Hindi Films to transport us away from reality. 





2. The second technique used by Johar to make us feel his love stories, is color syncing. Either his leads will be color coordinated always, or his backdrops would lend color to his stories. Look at the use of blue, yellow, orange and many more colors in this soulful ballad from Kabhi Alvida Na Kehna




By now, you would have also realized that over the years, his biggest cliche has been one and only Shahrukh Khan!

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